{"id":1860,"date":"2016-01-27T09:20:38","date_gmt":"2016-01-27T17:20:38","guid":{"rendered":"http:\/\/blogs.adobe.com\/lightroomjournal\/?p=1860"},"modified":"2020-04-23T13:36:46","modified_gmt":"2020-04-23T20:36:46","slug":"camera-raw-9-4-now-available","status":"publish","type":"post","link":"https:\/\/lrj.mattalbright.com\/index.php\/2016\/01\/27\/camera-raw-9-4-now-available\/","title":{"rendered":"Camera Raw 9.4 Now Available"},"content":{"rendered":"

Camera Raw 9.4 is now available through the update mechanism in Photoshop CC and the Creative Cloud application.<\/p>\n

As mentioned in an update to our camera support policy\u00a0here<\/a>, Camera Raw 9.4 is\u00a0only available in Photoshop CC or later. \u00a0Customers using older\u00a0versions of Photoshop can utilize the DNG Converter for continued camera support.<\/p>\n

Introducing Boundary Warp<\/strong><\/p>\n

Stitched panoramas often have non-rectangular boundaries. There are several ways to handle irregular boundaries. The most common approach is to apply a rectangular crop. This is straightforward, but important image details near the boundary may be lost due to cropping. Another approach is to use Content Aware Fill (in Photoshop) to fill in the transparent areas outside the boundary. This can be effective, but may require multiple attempts to obtain a satisfying (smooth, artifact-free) result. It can also be expensive and requires rendering out the panorama to an output-referred format.\u00a0Boundary\u00a0Warp<\/strong> is a feature that provides another approach to handling the irregular boundary of panoramas. The feature analyzes the boundary and warps the image so that its edges fit a rectangular frame. \u00a0Here’s a visual example of the feature:<\/p>\n

\"Please<\/a>
Please note this animation was created in Lightroom 6.4<\/figcaption><\/figure>\n

New Camera Support in\u00a0Camera Raw 9.4<\/strong><\/p>\n

    \n
  • Fujifilm X70<\/li>\n
  • Fujifilm X-E2S<\/li>\n
  • Fujifilm X-Pro2<\/li>\n
  • Leica M (Typ 262)<\/li>\n
  • Leica X-U (Typ 113)<\/li>\n
  • Panasonic DMC-ZS60 (DMC-TZ80, DMC-TZ81, DMC-TZ85)<\/li>\n
  • Phase One IQ150<\/li>\n
  • Sony ILCA-68 (A68)<\/li>\n<\/ul>\n

    Additional Updates in\u00a0Camera Raw 9.4<\/strong><\/p>\n

      \n
    • Nikon 1 J4 Camera matching profile support added<\/li>\n
    • The panorama merging process should complete roughly twice as fast as ACR 6.3<\/li>\n
    • Improved quality when applying Auto Straighten and Upright “Level” mode.<\/li>\n
    • Metadata is added to merged panoramas to support Photoshop’s Adaptive Wide Angle filter<\/li>\n
    • DNG Converter 9.4 now supports HiDPI displays on Mac<\/li>\n<\/ul>\n

      New Lens Profile Support in Camera Raw\u00a09.4<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
      Mount<\/strong><\/td>\nName<\/strong><\/td>\n<\/tr>\n
      Canon EF<\/td>\nBower 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Canon EF<\/td>\nBower 16mm f\/2 ED AS UMC CS<\/td>\n<\/tr>\n
      Canon EF<\/td>\nBower 24mm f\/1.4 ED AS IF UMC<\/td>\n<\/tr>\n
      Canon EF<\/td>\nBower 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Canon EF<\/td>\nBower 85mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Canon EF<\/td>\nRokinon 10mm f\/2.8 ED AS NCS CS<\/td>\n<\/tr>\n
      Canon EF<\/td>\nRokinon 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Canon EF<\/td>\nRokinon 16mm f\/2 ED AS UMC CS<\/td>\n<\/tr>\n
      Canon EF<\/td>\nRokinon 24mm f\/1.4 ED AS IF UMC<\/td>\n<\/tr>\n
      Canon EF<\/td>\nRokinon 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Canon EF<\/td>\nRokinon 85mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Canon EF<\/td>\nSamyang 10mm f\/2.8 ED AS NCS CS<\/td>\n<\/tr>\n
      Canon EF<\/td>\nSamyang 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Canon EF<\/td>\nSamyang 16mm f\/2 ED AS UMC CS<\/td>\n<\/tr>\n
      Canon EF<\/td>\nSamyang 24mm f\/1.4 ED AS IF UMC<\/td>\n<\/tr>\n
      Canon EF<\/td>\nSamyang 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Canon EF<\/td>\nSamyang 85mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nCanon EF-M 55-200mm f\/4.5-6.3 IS STM<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nRokinon 8mm f\/2.8 UMC Fisheye<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nRokinon 8mm f\/2.8 UMC Fisheye II<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nRokinon 12mm f\/2 NCS CS<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nRokinon 50mm f\/1.2 AS UMC CS<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nSamyang 8mm f\/2.8 UMC Fisheye<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nSamyang 8mm f\/2.8 UMC Fisheye II<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nSamyang 12mm f\/2 NCS CS<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nSamyang 12mm f\/2.8 ED AS NCS Fisheye<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nSamyang 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nSamyang 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nSamyang 50mm f\/1.2 AS UMC CS<\/td>\n<\/tr>\n
      Canon EF-M<\/td>\nSamyang 50mm f\/1.4 AS UMC<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nBower 8mm f\/2.8 UMC Fisheye<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nRokinon 8mm f\/2.8 UMC Fisheye<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nRokinon 8mm f\/2.8 UMC Fisheye II<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nRokinon 12mm f\/2 NCS CS<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nRokinon 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nRokinon 50mm f\/1.2 AS UMC CS<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nSamyang 8mm f\/2.8 UMC Fisheye<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nSamyang 8mm f\/2.8 UMC Fisheye II<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nSamyang 12mm f\/2 NCS CS<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nSamyang 12mm f\/2.8 ED AS NCS Fisheye<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nSamyang 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nSamyang 50mm f\/1.2 AS UMC CS<\/td>\n<\/tr>\n
      Fujifilm X<\/td>\nSamyang 50mm f\/1.4 AS UMC<\/td>\n<\/tr>\n
      Leica M<\/td>\nMS Optical Perar 28mm f\/4 Super Triplet<\/td>\n<\/tr>\n
      Leica M<\/td>\nMS Optical Sonnetar 50mm f\/1.1 MC<\/td>\n<\/tr>\n
      Nikon F<\/td>\nBower 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Nikon F<\/td>\nBower 16mm f\/2 ED AS UMC CS<\/td>\n<\/tr>\n
      Nikon F<\/td>\nBower 24mm f\/1.4 ED AS IF UMC<\/td>\n<\/tr>\n
      Nikon F<\/td>\nBower 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Nikon F<\/td>\nBower 85mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Nikon F<\/td>\nNikon AF-S NIKKOR 200mm f\/2G ED VR II<\/td>\n<\/tr>\n
      Nikon F<\/td>\nRokinon 10mm f\/2.8 ED AS NCS CS<\/td>\n<\/tr>\n
      Nikon F<\/td>\nRokinon 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Nikon F<\/td>\nRokinon 16mm f\/2 ED AS UMC CS<\/td>\n<\/tr>\n
      Nikon F<\/td>\nRokinon 24mm f\/1.4 ED AS IF UMC<\/td>\n<\/tr>\n
      Nikon F<\/td>\nRokinon 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Nikon F<\/td>\nRokinon 85mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Nikon F<\/td>\nSamyang 10mm f\/2.8 ED AS NCS CS<\/td>\n<\/tr>\n
      Nikon F<\/td>\nSamyang 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Nikon F<\/td>\nSamyang 16mm f\/2 ED AS UMC CS<\/td>\n<\/tr>\n
      Nikon F<\/td>\nSamyang 24mm f\/1.4 ED AS IF UMC<\/td>\n<\/tr>\n
      Nikon F<\/td>\nSamyang 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Nikon F<\/td>\nSamyang 85mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Olympus<\/td>\nBower 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Olympus<\/td>\nBower 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Olympus<\/td>\nRokinon 12mm f\/2 NCS CS<\/td>\n<\/tr>\n
      Olympus<\/td>\nRokinon 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Olympus<\/td>\nRokinon 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Olympus<\/td>\nRokinon 50mm f\/1.2 AS UMC CS<\/td>\n<\/tr>\n
      Olympus<\/td>\nSamyang 12mm f\/2 NCS CS<\/td>\n<\/tr>\n
      Olympus<\/td>\nSamyang 12mm f\/2.8 ED AS NCS Fisheye<\/td>\n<\/tr>\n
      Olympus<\/td>\nSamyang 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Olympus<\/td>\nSamyang 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Olympus<\/td>\nSamyang 50mm f\/1.2 AS UMC CS<\/td>\n<\/tr>\n
      Olympus<\/td>\nSamyang 50mm f\/1.4 AS UMC<\/td>\n<\/tr>\n
      Panasonic<\/td>\nRokinon 12mm f\/2 NCS CS<\/td>\n<\/tr>\n
      Panasonic<\/td>\nRokinon 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Panasonic<\/td>\nRokinon 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Panasonic<\/td>\nRokinon 50mm f\/1.2 AS UMC CS<\/td>\n<\/tr>\n
      Panasonic<\/td>\nSamyang 12mm f\/2 NCS CS<\/td>\n<\/tr>\n
      Panasonic<\/td>\nSamyang 12mm f\/2.8 ED AS NCS Fisheye<\/td>\n<\/tr>\n
      Panasonic<\/td>\nSamyang 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Panasonic<\/td>\nSamyang 35mm f1.4 AS IF UMC<\/td>\n<\/tr>\n
      Panasonic<\/td>\nSamyang 50mm f\/1.2 AS UMC CS<\/td>\n<\/tr>\n
      Panasonic<\/td>\nSamyang 50mm f\/1.4 AS UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nBower 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nBower 16mm f\/2 ED AS UMC CS<\/td>\n<\/tr>\n
      Pentax K<\/td>\nBower 24mm f\/1.4 ED AS IF UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nBower 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nBower 85mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nRokinon 10mm f\/2.8 ED AS NCS CS<\/td>\n<\/tr>\n
      Pentax K<\/td>\nRokinon 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nRokinon 16mm f\/2 ED AS UMC CS<\/td>\n<\/tr>\n
      Pentax K<\/td>\nRokinon 24mm f\/1.4 ED AS IF UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nRokinon 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nRokinon 85mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nSamyang 10mm f\/2.8 ED AS NCS CS<\/td>\n<\/tr>\n
      Pentax K<\/td>\nSamyang 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nSamyang 16mm f\/2 ED AS UMC CS<\/td>\n<\/tr>\n
      Pentax K<\/td>\nSamyang 24mm f\/1.4 ED AS IF UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nSamyang 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nSamyang 85mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Pentax K<\/td>\nsmc PENTAX-DA 18-270mm F3.5-6.3 ED SM<\/td>\n<\/tr>\n
      Pentax 645<\/td>\nHD PENTAX-D FA645 35mm F3.5 AL [IF]<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nBower 8mm f\/2.8 UMC Fisheye<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nBower 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nBower 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nRokinon 8mm f\/2.8 UMC Fisheye<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nRokinon 8mm f\/2.8 UMC Fisheye II<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nRokinon 12mm f\/2 NCS CS<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nRokinon 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nRokinon 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nSamyang 8mm f\/2.8 UMC Fisheye<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nSamyang 8mm f\/2.8 UMC Fisheye II<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nSamyang 12mm f\/2 NCS CS<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nSamyang 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nSamyang 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Samsung NX<\/td>\nSamyang 50mm f\/1.4 AS UMC<\/td>\n<\/tr>\n
      Sony A<\/td>\nBower 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Sony A<\/td>\nBower 16mm f\/2 ED AS UMC CS<\/td>\n<\/tr>\n
      Sony A<\/td>\nBower 24mm f\/1.4 ED AS IF UMC<\/td>\n<\/tr>\n
      Sony A<\/td>\nBower 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Sony A<\/td>\nBower 85mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Sony A<\/td>\nRokinon 10mm f\/2.8 ED AS NCS CS<\/td>\n<\/tr>\n
      Sony A<\/td>\nRokinon 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Sony A<\/td>\nRokinon 16mm f\/2 ED AS UMC CS<\/td>\n<\/tr>\n
      Sony A<\/td>\nRokinon 24mm f\/1.4 ED AS IF UMC<\/td>\n<\/tr>\n
      Sony A<\/td>\nRokinon 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Sony A<\/td>\nRokinon 85mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Sony A<\/td>\nSamyang 10mm f\/2.8 ED AS NCS CS<\/td>\n<\/tr>\n
      Sony A<\/td>\nSamyang 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Sony A<\/td>\nSamyang 16mm f\/2 ED AS UMC CS<\/td>\n<\/tr>\n
      Sony A<\/td>\nSamyang 24mm f\/1.4 ED AS IF UMC<\/td>\n<\/tr>\n
      Sony A<\/td>\nSamyang 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Sony A<\/td>\nSamyang 85mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Sony E<\/td>\nBower 8mm f\/2.8 UMC Fisheye<\/td>\n<\/tr>\n
      Sony E<\/td>\nRokinon 8mm f\/2.8 UMC Fisheye<\/td>\n<\/tr>\n
      Sony E<\/td>\nRokinon 8mm f\/2.8 UMC Fisheye II<\/td>\n<\/tr>\n
      Sony E<\/td>\nRokinon 12mm f\/2 NCS CS<\/td>\n<\/tr>\n
      Sony E<\/td>\nRokinon 50mm f\/1.2 AS UMC CS<\/td>\n<\/tr>\n
      Sony E<\/td>\nSamyang 8mm f\/2.8 UMC Fisheye<\/td>\n<\/tr>\n
      Sony E<\/td>\nSamyang 8mm f\/2.8 UMC Fisheye II<\/td>\n<\/tr>\n
      Sony E<\/td>\nSamyang 12mm f\/2 NCS CS<\/td>\n<\/tr>\n
      Sony E<\/td>\nSamyang 50mm f\/1.2 AS UMC CS<\/td>\n<\/tr>\n
      Sony FE<\/td>\nRokinon 12mm f\/2.8 ED AS NCS Fisheye<\/td>\n<\/tr>\n
      Sony FE<\/td>\nRokinon 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Sony FE<\/td>\nRokinon 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Sony FE<\/td>\nRokinon 50mm f\/1.4 AS UMC<\/td>\n<\/tr>\n
      Sony FE<\/td>\nSamyang 12mm f\/2.8 ED AS NCS Fisheye<\/td>\n<\/tr>\n
      Sony FE<\/td>\nSamyang 14mm f\/2.8 ED AS IF UMC<\/td>\n<\/tr>\n
      Sony FE<\/td>\nSamyang 35mm f\/1.4 AS IF UMC<\/td>\n<\/tr>\n
      Sony FE<\/td>\nSamyang 50mm f\/1.4 AS UMC<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      Fixed Bugs and Other Changes:<\/strong><\/p>\n